“Ideology’s ultimate trick has always been to present itself as objective truth, to present historical conditions as eternal, and to present political formations as natural. Because image operations function on an invisible plane and are not dependent on a human seeing-subject (and are therefore not as obviously ideological as giant paintings of Napoleon) they are harder to recognize for what they are: immensely powerful levers of social regulation that serve specific race and class interests while presenting themselves as objective.
The invisible world of images isn’t simply an alternative taxonomy of visuality. It is an active, cunning, exercise of power, one ideally suited to molecular police and market operations–one designed to insert its tendrils into ever-smaller slices of everyday life. […] Machine-machine systems are extraordinary intimate instruments of power that operate through an aesthetics and ideology of objectivity, but the categories they employ are designed to reify the forms of power that those systems are set up to serve.” Trevor Paglen, “Invisible Images (Your Pictures Are Looking at You)”, in The New Inquiry, December 8, 2016