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The Rhizome Artbase re-design

The most amazing collection of net-based art worldwide is undergoing a process of redesign. Documentation here

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Quarantine Chat

Danielle Baskin and Max Hawkins, Quarantine Chat, 2020

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Quotes

Dragan Espenschied: Objecthood

“We don’t think of anything we are conserving as a thing or a stable entity. Internet and network-based art is the most extreme type of artifact that you might want to archive, because many websites or projects that happen on the web have blurry borders. So you can’t quite define an objecthood. Some are changing all the time, so you can’t nail down a definitive version of the artwork.” in Maximilíano Durón, “A Net Art Pioneer Evolves With the Digital Age: Rhizome Turns 20”, in Artnews, 09/01/16

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Brian Droitcour: The Internet Show

“I’ve seen a number of internet shows, and I never leave feeling that they contribute to a growing body of knowledge about art and technology. Each one ends in the same place where it started: some hazy notion of the internet’s importance. […] While a historical show reconstructs connections among artists, the thematic show removes works from their original contexts so that it may create a new one for them, which makes the format particularly ill-suited for meaningfully representing how artists use the internet. The internet show puts viewers in the position of a user encountering works at random, rather than providing them with an understanding of how artists have engaged in conversations about the use of various tools, platforms, and concepts.” Brian Droitcour, “Broken Links: The Internet Show”, in Art in America, September 1, 2018