Nye Thompson & UBERMORGEN, UNINVITED, 2020

An invisible networked super-organism oscillates between anxiety, lust, and horror. Described by the artists as ‘a radically new creature looking at the world and nothing makes sense,’ the synthetic organism apprehends the universe through millions of hallucinogenic virally abused (CCTV) sensors.
Thompson & UBERMORGEN’s life-form continually evolves by using human and machine learning. It defines its own existence and distributed agency through undergoing fear, instability, aggression, and vulnerability. UNINVITED can be experienced as a horror film, an online experience (web), and an installation (currently in the UK and Romania).

Alexis C. Madrigal: The Camera Knows Too Much

“The cameras know too much. All cameras capture information about the world—in the past, it was recorded by chemicals interacting with photons, and by definition, a photograph was one exposure, short or long, of a sensor to light. Now, under the hood, phone cameras pull information from multiple image inputs into one picture output, along with drawing on neural networks trained to understand the scenes they’re being pointed at. Using this other information as well as an individual exposure, the computer synthesizes the final image, ever more automatically and invisibly. […] Deepfakes are one way of melting reality; another is changing the simple phone photograph from a decent approximation of the reality we see with our eyes to something much different. It is ubiquitous and low temperature, but no less effective.” Alexis C. Madrigal, “No, You Don’t Really Look Like That. A guide to the new reality-melting technology in your phone’s camera’, in The Atlantic, December 18, 2018