Sianne Ngai: Zaniness

“the zany more specifically evokes the performance of affective labor—the production of affects and relationships—as it comes to increasingly trouble the very distinction between work and play. This explains why this ludic aesthetic has a noticeably unfun or stressed-out layer to it. Contemporary zaniness is not just an aesthetic about play but about work, and also about precarity, which is why the threat of injury is always hovering about it.” Adam Jasper and Sianne Ngai, “OUR AESTHETIC CATEGORIES: AN INTERVIEW WITH SIANNE NGAI. The cute, the interesting, and the zany“, in Cabinet Magazine, Fall 2011

Paul B. Preciado: Learning from the virus

“The subjects of the neoliberal technical-patriarchal societies that Covid-19 is in the midst of creating do not have skin; they are untouchable; they do not have hands. They do not exchange physical goods, nor do they pay with money. They are digital consumers equipped with credit cards. They do not have lips or tongues. They do not speak directly; they leave a voice mail. They do not gather together and they do not collectivize. They are radically un-dividual. They do not have faces; they have masks. In order to exist, their organic bodies are hidden behind an indefinite series of semio-technical mediations, an array of cybernetic prostheses that work like digital masks: email addresses, Facebook, Instagram, Zoom, and Skype accounts. They are not physical agents but rather tele-producers; they are codes, pixels, bank accounts, doors without names, addresses to which Amazon can send its orders.” Paul B. Preciado, “Learning from the virus“, in Artforum, May – June 2020