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Dragan Espenschied: Where Art Blossoms

“[…] conservation is done by removing artifacts from the cultural tempest they originated in and putting them into a safe place. The problem is that this approach doesn’t scale – sorry for using this technical term. I won’t argue that a privileged, careful handling of certain artifacts deemed of high importance or representative value is the wrong way; actually, this approach is the most narrative. But practiced too rigidly it doesn’t do digital culture any justice. Firstly because there simply are no resources to do this with a large amount of artifacts, and secondly because many artifacts can only blossom in their environment, in concert or contrast with a vernacular web, commercial services and so forth.” Trevor Owens, “Digital Culture is Mass Culture”: An interview with Digital Conservator Dragan Espenschied, in The Signal, March 24, 2014