Zhang Ga (curated by), We=Link: Sideways, Chronus Art Center (CAC), Shanghai, November 21, 2020 – May 23, 2021
Michael Connor, Baoyang Chen and Taiyun Kim (curated by), World On A Wire, 2021. Online / offline exhibition
“DANAE is a digital art network. We exist to expose and elevate computer-generated art and place it in historical context. We believe in fostering creativity, showcasing talent, and promoting the exchange of ideas. We work to connect artists, curators, institutions, avid collectors, and young collectors-to-be. We are a community.” More info
The Anne and Michael Spalter Digital Art Collection (Spalter Digital), is one of the world’s largest private collections of early computer art, comprising over 750 works from the second half of the twentieth century. Spalter Digital, which focuses on plotter drawings but includes other 2D media as well as sculpture and 16mm film, is home to major and iconic examples from key artists in the field.
“If consumer products have ‘planned obsolescence,’ digital art created with the ‘latest’ technology has its own ‘built-in obsolescence.’ […] did I waste my whole life in the wrong field? It is very exciting to be at the “cutting edge”, but the price you pay is heavy. After 30 years in this field, there are very few artworks I can show to my students without feeling embarrassed. While I remember why there were so important to us at the moment they were made, their low-resolution visuals and broken links can’t inspire students. The same is often true for the “content” of digital art. It’s about “issues,” “impact of X on Y”, “critique of A”, “a parody of B”, “community of C” and so on. It’s almost never about our real everyday life and our humanity. Feelings. Passions. Looking at the world. Looking inside yourself. Falling in love. Breaking up. Questioning yourself. Searching for love, meaning, less alienated life.” Lev Manovich, My Anti-Digital Art Manifesto, September 13, 2020