“The role that I’m playing is more of a curator than anything else. The first thing I do is curate the data that the network is going to study, and once the network is trained I also curate the output data, deciding which outputs I am going to keep and whether I want to tweak the training sets so that the network learns something different. So all of the work that I do is really through curation.” Seth Thompson, “The Artist, The Curator, and the Neural Net: A Conversation with Robbie Barrat”, in Paprika!, November 8, 2018.
“the exhibition does not only present certain images to our gaze, but also demonstrates the technology of presenting, the apparatus and structure of framing, and the mode in which our gaze is determined, oriented, and manipulated by this technology. When we visit an exhibition, we do not only look at the exhibited images and objects, but also reflect on the spatial and temporal relationships between them—the hierarchies, curatorial choices, and strategies that produced the exhibition, and so forth. The exhibition exhibits itself before it exhibits anything else. It exhibits its own technology and its own ideology. In fact, the framing is nothing but an amalgamation of technology and ideology.” Boris Groys, “Curating in the Post-Internet Age”, in e-flux Journal, issue #94 – October 2018
“I’ve seen a number of internet shows, and I never leave feeling that they contribute to a growing body of knowledge about art and technology. Each one ends in the same place where it started: some hazy notion of the internet’s importance. […] While a historical show reconstructs connections among artists, the thematic show removes works from their original contexts so that it may create a new one for them, which makes the format particularly ill-suited for meaningfully representing how artists use the internet. The internet show puts viewers in the position of a user encountering works at random, rather than providing them with an understanding of how artists have engaged in conversations about the use of various tools, platforms, and concepts.” Brian Droitcour, “Broken Links: The Internet Show”, in Art in America, September 1, 2018