“Right now, the nature of how we communicate means that we are always in some ways speaking to a mass audience. You’re no longer working on one level, but with an amorphous group of people who are algorithmically oriented to like or dislike something. That is why, on the one hand, performance and media are relevant today.” Terence Trouillot, “‘We Are Always Speaking to a Mass Audience’: MoMA Curator Thomas Lax on the Advantages—and Challenges—of Art in the Digital Age”, in Artnet News, May 21, 2019.
“Art comes out of weird, contradictory forces. I make art for myself, and there’s a small group of people—mostly other artists—that I hope I’m in dialogue with. At the same time, without an audience, it’s annihilated. But I can’t let myself go there, because what people think about the work is potentially so important that if I worry about it, I’ll get too distracted to do anything. I need a degree of distance to maintain focus. Sometimes that distance is just a story you tell yourself, but stories are useful, too. It goes deep quickly, doesn’t it? Maybe I should get back to you after ten years of therapy. Honestly, I’m just grateful that a lot of other people appreciate what I do.” Taylor Dafoe, ‘People Often Get Hung Up on the Search for Meaning’: Artist Seth Price on Why Viewers Don’t Get His Work, in Artnet News, December 17, 2018